Nose Bleeds from Ormsby and Butterworth
August 16th, 2006 by dogbertwhip"Theory: The filter algorithm operates in the frequency domain. You can specify one or more sets of bandpass filter freequencies, and a set of notch filter parameters. Filters are four-frequency Ormsby or Butterworth, and can be zero phase or minimum phase." — excerpt from a software manual that was probably written by hideous little men aboard unidentified flying objects (UFO’s)
After reading this paragraph a gazillion times over, I swear I could feel a warm gush of blood flowing out of my nostrils. Okay, it’s a lousy exagerration about my intellectual shortcomings. But I’m starting to panic since my new boss expects me to undertand the concepts behind two-dimensional seismic data processing. However, this imaginary nose bleed that I suffer makes a good reference to the movie Masikip sa Dibdib, a slapstick fare with the busty Rufa Mae Quinto at the helm.
In one particularly funny scene, Rufa’s character speaks to her Fil-American boyfriend/boss. Due to her limited grasp of English, Rufa is reduced to nodding and smiling as her boss spews out phrases left and right. Unable to handle the stress of comprehending English like any decent corporate secretary should, Rufa suffers from a torrential nose bleed.
That single scene in Masikip sa Dibdib is probably its most significant contribution to Pinoy pop culture. That’s why whenever friends of ours babble in straight English in an attempt to impress, or at times, as a result of excessive alcohol consumption, we usually mock them with begging words: "Parang awa mo na… tama na… dinudugo na ako."
Although I felt fatigued from my vain attempts to understand Ormsby and Butterworth frequency filters, I mustered enough strength to approach the refrigerator. Not long afterwards, I chomped on a Mars bar, hoping that the delectable caramel and chewy nougat encased in rich milk chocolate would provide me with the much-needed inspiration. One minute and 12 seconds later, the Mars bar swiveled with my gastric juices. But unlike Archimedes, I was not able to ran naked down the streets in a fit of jubilation shouting “Eureka!”
When desperation finally sinks in, I usually resort to an act that is often performed by giggling hyenas against the mighty lions of the African bush — I take pot shots at my tormentors. While hyenas swipe their smelly bottoms on the territorial marks of the mighty felines, I, on the other hand, imagine Ormsby and Butterworth as two stinky physicists with lice-infested hair and no social life. They lock themselves in their dungeons, err labs, and spend countless nights observing boring sound waves. "Oohhh, here comes an alpha lunar phase shift!" Ornsby elbows his buddy. "It’s beau–ti–ful…" Butterworth mutters, with actual tears welling in his puffy eyes. This is the part where I barge in their door, destroy all their equipment with my machine guns, and verbally abuse the moldy geniuses. "Oh sure you’re sooo smart," I snicker at them. "But your names suck! Ormsby? It sounds like it’s suited for a critter! Butterworth? Why the heck aren’t you in the bakery?! Bake me some cupcakes and blueberry muffins! Bwahahahahahaha!"
Feeling some satisfaction from the virtual abuse that I handed over the scientists, I decided to watch a movie with my workmates. It’s the last episode of Taken, they tell me, and everyone is quite excited about how Steven Spieldberg will conclude his alien-abduction saga. Soon, Dakota Fanning appears on screen with her little blonde head and her huge, freakishly blue eyes. "She’s part-alien and part-human, the product of a UFO-sponsored experiment… she’s capable of time manipulation and has amazing mental powers! You should’ve have seen what she’s capable of in the previous episodes," my colleage shares as he sensed my ignorance over the series.
While I sat there bored, I started to wonder if I’ll be able to finally understand Ornsby and Butterworth frequency filters if I was part-alien like Dakota Fanning. But that would be impossible; the aliens woudn’t probably choose me; I’m just not cute enough for the role. Just like that, I started getting annoyed with Dakota. Sure she made me cry with her brilliant performance in I Am Sam. But her role in Taken is just too perfect that it intensified my feelings of inadequacy. I even started to wonder if Ornsby and Butterworth are aliens themselves. Then verbally assualting them would do me no good. They would surely cut me up in ribbons with their hi-tech laser beams.
As the series Taken was coming to its climactic end, Dakota stood before dozens alien-abductees who have regalled her as their pint-sized Messiah. With an authoritative stance, she tells the crowd to not be afraid of being abducted by UFO’s anymore. Well, if you’ll believe Spielberg’s team of writers, aliens have lodged morsel-sized sensors on the brains of their human abductees. With the help of these mini-sensors, the little men from the flying saucer can keep track of their abductees’ whereabouts, and will aid them should they decide to abduct the same person again. With her sheer mental powers, Dakota explains to the eager crowd that she can remove the sensors out of their bodies. So that once and for all, they’ll never have to live in fear. It may feel unpleasant at first, she continues, but Dakota assures them that everything will be alright.
So in those closing moments, Dakota closes her eyes and, with sheer concentration only seen with vegans and yoga fanatics, successfully removes the metal sensors. So how did this little girl pass out the abductee’s alien sensors from brain to palm? Simple. Dakota drove them out with a nose bleed. Splendid, indeed. And with that, I walked out from the viewing room and embarked on a new mission: look for an aspirin to relieve me from this sudden blazing headache.































